When other little girls wanted to be ballerina dancers, I kind of wanted to be a vampire.
• Angelina Jolie
I wanted to be a trapeze artist. I loved the shiny, sparkly costumes I wore for ballet and tap recitals and I remember thinking that joining the circus would be a perfect way to continue wearing such loveliness as a grownup. Even when I was small, I knew I wasn’t interested in being a ballerina—it just didn’t seem like fun—its seriousness and the patterned perfection of its movement sucked the joy out of my dancing.
I designed circuswear for myself, crayoning colorfully fanciful outfits of gossamer fabrics bedazzled with jewels. I practiced in a friend’s basement where her father had hung a trapeze from the ceiling. As I swung, head dangling, my fingers almost touched the floor and I can still remember the horror I felt one afternoon when I realized that real trapeze artists’ fingers were far from the solid safety of the circus ring. I did not like heights. I still do not. And I still wonder what I was thinking when I imagined that this was a possible career for me. I must have been blinded by the glittery gleam of sequins and rhinestones.
Some memories of childhood are vivid and easily recalled. Others are lost, but not necessarily forever. Italian poet and novelist Cesare Pavese said that the richness of life lies in memories we have forgotten. I call the things that evoke these forgotten memories evocateurs. It’s difficult to predict what will trigger recollection. Recently, it was an episode of Freaks and Geeks (currently airing on on IFC, the Independent Film Channel, and created by Paul Feig, executive produced by Judd Apatow, first airing on NBC during the 1999-2000 season) that brought back a flood of memories.
In the episode, Sam (John Francis Daley) breaks up with Cindy Sanders (Natasha Melnick), the girl he’s pined over for many episodes. He’s finally become her boyfriend, but their love is not meant to be. She disdains the family heirloom necklace he’s given her (“How much did it cost?” she asks) and doesn’t find the movie he’s taken her to—The Jerk—funny at all. When she leans over in the theatre and gives him a hickey, he doesn’t know what’s happening, but he doesn’t like it. And that’s what let loose the flood of memory.
A hickey. When I was in grade school, I got a Mickey Mouse Club shirt. It was a white cotton turtleneck shirt with short sleeves, just like the one that Annette and the other Mouseketeers wore on the television show. My name was on the front and on the back was the circular MMC logo. I loved that shirt and wore it often, but I retired it when I started high school. Until the first time I got a hickey.
It was summer in southern California, much too hot to wear a high-necked sweater, and I was desperate not to go down to breakfast with my neck providing evidence of the previous night’s passion (tame passion, folks, I was the quintessentially “good girl” back then and my parents were ever vigilant for evidence otherwise). Desperately, I searched through the drawers for something to put on, rejecting scarves tied around my neck as too dressy for a day of babysitting and chores, and finally coming across my old friend. Thank goodness my mother and Aunt Mildred insisted on buying their children just about any kind of apparel in the largest size available so that we’d get plenty of wear from our you’ll-grow-into-it clothes. The extra large still fit. I pulled it on with my shorts and was saved from unpleasant inquiries. I hadn’t thought about that shirt in decades even though I’ve been immersed in memories related to my art exhibit entitled Flaming Youth and think often about adolescence for the courses I teach.
I’m currently doing a bit of vampire research for a paper and presentation I’m working on about the possibility of engaging in serious research about just about anything. This work is entitled, “Tootsie Pops and Toilet Paper, Vampires and Zombies: Reimagining Research through the Engaging and Creative Processes, Projects, and Products of The Collectory,” and another thought evoked by this F&G episode was how the process of the vampire’s bite and the hickey are similar, both marking the receiver as the property of the one who sucks the blood*. The paths of memory are twisted indeed.
Have you recalled a memory recently? If so, what triggered it? Write it down so you won’t forget. If not, spend a bit of time in the fields of remembrance and see what you find.
The existence of forgetting has never been proved. We only know that some things don’t come to mind when we want them.
• Friedrich Nietzsche
* How do you give a hickey? Put your mouth against the side of the the person’s neck as though you are going to kiss it, leaving your mouth slightly open. Then suck the skin into your mouth, causing the blood vessels to break and leaving a red somewhat circular bruise. This is a fairly speedy process. I have no explanation for how to actually suck someone’s blood from their body. You’re on your own for that one.